#the issue is: BOTH OF THEM ARE FOR CRIME VERSES

[thexwayward]

.

[sapphic-agent]

Trios that would have been more compelling and less obnoxious than the "Wonder Trio":

Izuku, Tenya, Ochako: This needs no explanation

Izuku, Tenya, Shouto: Again, this really needs no champion vouching for it. The Stain arc and the subsequent character work that came with it will never be matched by any other arc in MHA.

Izuku, Denki, Yuga: These three all have self-harming quirks that can be really dangerous and inconvenient during a battle. It was truly a lost opportunity to see these three bond over their issues. Making Izuku and Yuga being close friends right off the bat would've have been really beneficial in sowing the traitor plot point early on and would've have also been far more devastating for Izuku during the reveal. And honestly, Yuga being formerly quirkless and having a self-harming quirk is a much better narrative parallel than the "Save to Win and Win to Save" bullshit that we got. Denki and Yuga just seem like they'd have really good chemistry.

Izuku, Tenya, Momo: These 3 intelligent specimens would've have been extremely overpowered if Hori actually cared enough to develop them. Also, Momo would get to shine because her quirk is powerful as hell (I actually head canon that she has the strongest/most versatile quirk in 1A and maybe enough the BNHA verse as a whole) and it's a crime that her intelligence and OP quirk went underutilized. Also, Momo and Izuku helping each other through their lack of self confidence would have been really touching and maybe have Izuku reflect on his life and how he was treated pre OFA. Momo and Tenya also seemed really no nonsense in the beginning when she ruthlessly criticized Bakugou, so this could help Izuku cut Bakugou off much earlier and allow him to grow.

Izuku, Tsuyu, Mineta: Yes I know, I know. Mineta sucks. But even so, these three were super compelling and interesting to watch during the USJ arc. The ways in which they used their quirks to escape death has way more charm and personality in their hair follicles than post season 3 ShoBakuDeku have in their entire bodies. Also, since Tsuyu was one of the first to call Bakugou out, I feel like her bluntness would be a really good reality check for Izuku to realize that the way Bakugou (and Aizawa) treat him is not okay. Also, Mineta already idolizes Izuku (which is actually sort of sweet) so this could have been used to develop his character rather than the awful and repetitive perv shtick that we're unfortunately stuck with.

Izuku, Shoji, Tokoyami: Like with the above trio, their forest camp sequence in trying to escape dark shadow has more personality and authenticity in their hair follicles than anything having to do with the stupid wonder trio. After all, the whole thing started because of Tokoyami witnessing Shoji being harmed by moonfish, which feels really raw and touching. Shoji also carrying Izuku on his back is super cute. These three also could've been used to address quirk-based discrimination, which is basically that backbone of BNHA's premise (even if it is always glossed over). Tokoyami and Shoji would've had to be victims of heteromorph discrimination (I think it was even confirmed in later chapters) which could drawn the three to each other. No offense to Shouto (and full offense of Bakugo) the two of them could never really relate to Izuku's trauma especially since Bakugou is responsible for 85% of it. They're both rich, they were both born with extremely powerful quirks. While Shouto is tragic because he was abused, he also benefits from the system of powerful quirks being favored which makes the two of them privileged. I also feel like Shoji and Tokoyami finding out about OFA and Izuku's previous quirklessness would just strengthen their bond and would motivate them to help and protect Izuku in any way they can unlike Bakugou who was a total nuisance the entire time.

Izuku, Mei, Ochako: Again, like with the last two, their admittedly limited time on screen together has more charm and personality than the stupid Wonder Trio.

These are the ones that I could think of from the top of my head. Feel free to add anymore.

These are all so cool! I especially liked Izuku, Denki, and Yuga. I always thought Izuku and Denki should have had more interactions anyway. And of course I love Izuku's scenes with Yuga. This is definitely a more unique one.

I would add Izuku, Momo, and Shoto to the list because I love the thought of Izuku being super intimidated by them only to be like, "Oh, oh no they're just isolated rich kids who have never talked to another kid their age and they're mine now" and adopts them.

Also, Izuku, Fumikage, and Shoto. I feel like they're fun.

It's not an Izuku trio but I'd also love Ochako, Tsu, and Momo just because they're best girls

[fuckyeahaudiodrama]

☀️JUNE LISTENS☀️

i still don’t have a brain! ah!!!! but i do have ears for listening! i actually listened to a lot of stuff that i ended up not liking as much, last month, but i still have plenty to rec.

Remnants — (ep1-2 early access) a dark fantasy mystery anthology. hard to describe without giving anything away. i love everything by Hanging Sloth (creator of SBR, NQD and Clockwork Bird), so i knew that i was very likely to enjoy this regardless of the premise… but my god, absolutely surreal vibes. the sound design is breathtaking! feeling very grateful to be a HS patron right now. keep an eye out for this one coming 15th july! subscribe now and don’t miss it.

Mockery Manor — (3 seasons, 37 eps + miniseries, between seasons) a murder mystery set at a theme park with a comedic twist. i didn’t think this was going to be my thing and i was so wrong. the protags are twin sisters with plenty of baggage between them. their shenanigans and banter keep the tone light even when the plot takes dark turns. looking forward to s4!

Limelight: The Specialist — (5 eps, complete) self-described as a “dark medical thriller” set in rural wales. Limelight series are generally good but satisfying endings are hit or miss; this one was VERY well-paced, with a satisfying payoff, and gave me hope for a series 2 in future. i loved the execution of the gruesome mystery and i loved the protagonist to pieces.

Close Your Eyes — (1 season, 9 eps, s2 in production) having recently listened to RQ’s Neon Inkwell: The Pit Below Paradise, which also centers around cult dynamics, i found this to be a very fun contrast. here we see how someone can be immersed and isolated by a cult, regardless of their personal skepticism or strength of will. the suspense was so delicious i had to listen to all nine episodes in a row. ends on an incredible cliffhanger — can’t WAIT for season 2.

The Silt Verses — (44 eps, finale soon) a grim religious fantasy dystopia. some of the most intricate and fascinating worldbuilding i’ve ever seen. huge cast. i know that everyone in the AD space has rec’d this pod a hundred times over, but i can’t stress enough how it’s one of my very favorite stories in the medium. the penultimate ep left off on an absolutely deranged note and i have no idea what’s coming! so exciting, if you’ve been waiting to check this one out — now might be the time!

Dice Shame — (2 seasons, 200+ eps, ongoing) classic dnd actual play ft. Harlan Guthrie of Malevolent fame, and his equally charismatic friends and family. i don’t listen to a lot of APs bc i have trouble focusing on such long episodes but i just love the chemistry of this party. slapping it on the rec list bc the current storyline has me hooked!!

Bridgewater — (1 season, 22 eps, ???) supernatural mystery, notably starring Misha Collins as the protagonist. this one has a lot of complicated family dynamics read: mommy AND daddy issues. the length of the series is just enough to let you spawn several of your own theories, which is fun, and i was really pleased that i was able to predict the true conflict and identify the antagonist. excellent use of foreshadowing etc, biggest props to Lauren Shippen of The Bright Sessions fame.

Consumed — (12 episodes) small town horror/mystery through the eyes of a stranded newcomer. this one did NOT go where i expected it to, because i started it before i listened to Bridgewater; they’re set in the same universe, so the same worldbuilding applies. i would honestly recommend listening to this one FIRST because if you do listen to the end of Bridgewater, it will kind of spoil the twist in Consumed.

The Penumbra Podcast — (5 seasons, 2 storylines, both ending this summer) still barreling toward the finish line for both Second Citadel and Juno Steel. as a patron, i was notified of early release for the SC finale this morning, which i know is gonna wreck me. just wanted to feature this because i don’t see it recced as often anymore and that’s a fucking crime. one of my top AD recs for sure.

Red Valley — (While You Were Hypersleeping 3) three ep miniseries featuring our main best boy, warren, who has been notably absent from most of this season! so nice to hear from him and to get a glimpse of what might be coming in the next part of the season.

Observable Radio — (11 eps, ongoing) my favorite recent sci-fi/horror anthology by far, tied up in a terrifically dreadful meta narrative. afaik this is a limited series but i’m really savoring each and every episode; the most recent, “Earworm”, was one of my favorites. very dark and dystopian. mind the content warnings!

The Network Defenders — (ep1) the debut of a new Planet Arcana miniseries, featuring some new voices and a fresh new tarot-based system (crowdfunding this year!) has all of the appeal of PA in terms of prod. quality, vibes and emotional depth, just new mechanics. 2nd ep is out now so i’m hopping right on that as i post this!

Waterlogged — (ep1) a new indie horror that i’ve been waiting to drop for a while now, and i really enjoyed the soft-spoken eerie vibe of the pilot. there’s a couple more things in the feed now so i’ll have to go catch up.

[foxes-that-run]

Where do Broken Hearts Go?

WDBHG and four overall has a 80s sound. WDBHG sounds like a Belinda Carlisle's Heaven is a Place on Earth, both are anthemic 80's songs. In this video is the Spotify visual, TV Special, Four Hangout and when Harry changed the lyric to "Will you ever F*** me again" in Sydney 8 February 2015. It refers to I Love You which Harry wrote under a pseudonym and included lyrics from Taylor's Red.

When was it written & who with

Harry wrote WDBHG with Ruth-Ann Cunningham, (who later wrote No Control and on Niall's solo album) Teresa Geiger (Little black dress), Ali Tamposi and Julian Bunetta. It’s likely it was written over a period of time (December 2013 - May 2014) with these collaborators rather than all in one day with all these people.

7 December 2013, London, seems to be the day shown in the Spotify visual, based on clothes.

12 March 12 to March 25 2014 Teresa Geiger, posted pics on him being in a studio in LA and Harry was in LA and has lunch a 21 minute drive from the LA studio it was recorded at (Dojo Studio). (it was also recorded at Wendyhouse London) This also close to when JALBOH and Stockholm were written.

On 8 May 2014 One Direction record Change your ticket in Fasano Hotel, Rio De Janeiro which is credited in the booklet. The TV Special shows Harry recording WDBHG there (2:25) but the hotel is not credited so that version is not the final vocals, or they used an earlier one.

It was announced 10 November 2014 and Niall says it is his favorite in the Four Hangout and Harry says thank you.

Lyrics

[Verse 1: Niall, All] Counted all my mistakes and there's only one Standin' out from the list of the things I've done All the rest of my crimes don't come close To the look on your face when I let you go

The theme of crimes (stealing, kidnapping)

So, I built you a house from a broken home Then I wrote you a song with the words you spoke Yeah, it took me some time, but I figured out How to fix up a heart that I let down

Home theme, Harry refers to home often. Here the is broken between him and the muse and the muses home. At this time Taylor parted with her publicist who cited her parents fighting as an issue.

The song with the words you is “I love you” performed by Alex and Sierra:

[Chorus: Zayn, All] Now, I'm searchin' every lonely place Every corner, callin' out your name Tryna find you, but I just don't know Where do broken hearts go? Where do broken hearts go?

Lonely is a theme of Harry’s work. Harry is searching everywhere for this person, drawing imagery of how far Harry was travelling, as if always in search of this person.

[Verse 2: Liam, Harry, All] Yeah, the taste of your lips on the tip of my tongue Is at the top of the list of the things I want

Harry was seen wearing the outfit in the Spotify visual on 7 December 2013, this first line (taste of your lips is top of the list) reminds me of Christmas, when what do you want from Christmas was a common 1D interview question.

Mind is runnin' in circles of you and me Anyone in-between is the enemy

Circles refers to the theme of round again, a cyclical relationship. The only other circular lyric of Harry’s is ‘same mistakes’ which also refers to mistakes. Here like in Same Mistakes Harry is singing to a muse with an on/off relationship that keeps coming back. And in A.M ‘swimming round in our glasses’. Taylor has also posted about cycles and the winding wheel.

Anyone in between is the enemy refers to people others coming between them.

Shadows come with the pain that you're runnin' from Love was something you never heard enough Yeah, it took me some time, but I figured out How to fix up a heart that I let down

'Shadows come from the pain you're running from, love is not something you’ve heard enough.' Brings to mind “who’s this shadow holding me” in Stockholm Syndrome. Here the shadows are haunting the muse, earlier Harry referred to a broken home and here they have not heard love again and he feels sad for having added to their feeling of wanting for love. Harry has figured out how to not let them down and needs to find them to fix it.

[Chorus: Zayn, All] Now, I'm searchin' every lonely place Every corner, callin' out your name Tryna find you, but I just don't know Where do broken hearts go? Are you sleeping baby by yourself Or are you giving it to someone else? Tryna find you, but I just don't know Where do broken hearts go? Where do broken hearts go?

Harry is not with the muse when the song was written, he’s wondering if they are with someone else.

[Bridge: Harry, All] Tell me now, tell me now Tell me where you go when you feel afraid (Where do broken hearts go?) Tell me now, tell me now Tell me, will you ever love me again, love me again?

In the bridge Harry asks where the muse goes when they are afraid, presumably of love. In Sydney on 8 February Harry changed the first “will you ever love me again” to “will you ever f*** me again?” On the same day Taylor watched Ariana perform JALBOH at the Grammy's, Harry and Taylor had broken up but she was not yet dating Calvin.

The bridge further confirms Harry is singing to someone he shared love with before and was not with.

[Outro: Louis, Harry, Zayn & All] Tell me where you're hidin' out Where do broken hearts go? Come on, baby, 'cause I need you now Where do broken hearts go? Tell me, 'cause I'm ten feet down Where do broken hearts go? Come on, baby, come and get me out x2 Come on, baby, 'cause I need you now Where do broken hearts go?x4

In the outro Harry writes that he needs to find the muse, asking them to tell him because he is “ten feet down” as in dead and buried. This is a theme of love that is alive at the cemetery referred to again in HYGTG, Two Ghosts, OOTW/LAWYMMD transition, down bad and loml.

Harry goes on to write “Get me out” of the grave, as in come back and bring him back to life. He has no life without this person. Earlier in the song Harry says he let the muse down, now he’s asking them to pull him up out of the grave he’s found himself in for breaking her heart. He’s asking for forgiveness

[yanderes-galore]

Could you do a romantic concept for yandere Peter B Parker from Spiderverse, please?

Sure! Forgive me if this is tame, I can't see him being that bad.

Yandere! Peter B. Parker (Spider-verse) Concept

Pairing: Romantic

Possible Trigger Warnings: Gender-Neutral Darling, Obsession, Stalking, Overprotective behavior, Fear of abandonment, Some emotional manipulation, Kidnapping, Delusional behavior, Violence, Forced relationship.

I feel, if anything, Peter falls into the pathetic yandere category at times.

He is a pretty realistic depiction of a Spider-Man in his 40s (based on what he's gone through)

He isn't a teen anymore.

His life hasn't always been easy, he's seen things and made decisions both good and bad.

However, he isn't really incapable of being a yandere.

He would just make you feel bad for him more than most.

Think of it... he isn't really intimidating nowadays, if he even was.

He'd fall into the clingy and overprotective category more than anything intimidating.

If anything Peter acts more like a teddy bear at times.

Towards his darling he tries to appeal to you the best he can.

Peter has some self-esteem issues after his divorce with his wife (ITSV AU).

His biggest fear is losing you in any way.

He feels he should push his past to the side and pursue you.

Peter would take his new feelings for you as a sign to change.

He can forge a new future... he can pull himself out of this slump...

He just feels he needs you to help with that.

He's affected by his past relationship and past in general... but he tries to push past it and change things for you.

Peter is delusional and very dedicated to you.

He's delusional to the point he imagines things that didn't happen between the two of you.

Peter would spend his free time stalking you and thinking of fantasies between the two of you... he's completely lovestruck.

There's times he has entire dreams of the teo of you... only to wake up and see them be fake.

It gets to the point he breaks his own heart when he realizes everything is in his mind.

For the most part he'd be harmless.

As in, he wouldn't kill anyone over you.

He may beat some people up but he restrains such thoughts, even if he's jealous.

For the most part Peter just likes to cling to you.

Before he decides to bite the bullet and act on his feelings, he clings to his fantasy idea of you.

When he finally takes you to his apartment he clings to you physically.

He isn't overly manipulative, but he is emotionally draining.

You'll end up caving into his desires at times because he's so... desperate.

He allows you to roam his apartment but if he has to leave he'll use his webs to keep you still.

He hates forcing you to do anything.

He'll try to be patient with your "relationship" but often occupies himself with thoughts of his fantasies.

Honestly overall Peter is just a pathetic (in the cute way?) man who wants to indulge in sweet fantasies he has with his darling.

He just thinks of cute couple things like dates, gifts, your future together... maybe even kids since Miles has opened him up to that.

However, despite him trying to play his mannerisms off as being a cute boyfriend...

He's still kidnapped you... you don't care if he's a hero or not... everything he's doing is still a crime.

Spider-Man has really let himself go...

In more ways than one.

Regardless of what you think, Peter still tries to tell you he'll make things up to you!

He gives you gifts and attempts to give physical affection.

He tells you stories about his fantasies.

He cleans his apartment up just for you.

Really, Peter is quite docile and would do anything for you...

Just don't leave him! If you did... then he may have to restrain you again with his webs.

[queensafire]

Omniboyfriends Dynamics

Prime-Verse: Partners that make everyone question their relationships

23-Verse: Both are gremlins nothing more nothing else

Mad-Verse: Trust issues

No Watch-Verse: Reverse Role Dynamic (credits to: neonross for the lovely ideas)

Bad-Verse: Partners-in-crime act like Toxinelle and Griffe Noire

Zarro-Verse: Touch them and your dead wetheir from the zombie or the feline

Nega-Verse: Both can tolerate and find the other a good company.

[gatekeeper-watchman]

Good Morning World Daily Devotionals for November 20, 2024

Proverbs: God's Wisdom for Daily Living

Devotional Scripture:

Proverbs 28:17-18 (KJV): 17 A man that doeth violence to the blood of any person shall flee to the pit; let no man stay him. 18 Whoso walketh uprightly shall be saved: but he that is perverse in his ways shall fall at once. Proverbs 28:17-18 (AMP): 17 If a man willfully sheds the blood of a person (and keeps the guilt of murder upon his conscience), he is fleeing to the pit (the grave) and hastening to his own destruction; let no man stop him! 18 He who walks uprightly shall be safe, but he who willfully goes in double and wrong ways shall fall in one of them.

Thought for the Day

Whoever sheds human blood is on his way to the pit (the grave and hell), for a man will reap what he sows. The Bible tells us that the penalty for murder is death; this verse tells us not to try to stop that process. However, even a murderer can be saved from hell if he accepts what the shed blood of Jesus did for him on the cross and confesses his sin.

Capital punishment is a difficult subject. Some believe that it is just to condemn murderers to death while others think the death penalty is too cruel a punishment for civilized society. Christians are also divided on the issue. Some support the Old Testament law of capital punishment, while others oppose it, basing their stand on the New Testament teaching of forgiveness. Does this mean that the Old Testament and New Testament are in opposition to each other? Since God does not contradict Himself, perhaps a deeper understanding of the Bible as a whole is needed in order to reconcile the truths, since each view contains a measure of truth. Throughout history, various governments have enforced the death penalty for certain crimes such as murder, but it was God Himself who inaugurated capital punishment, before any governments were established. "And surely your blood of your lives will I require; at the hand of every beast will I require it, and at the hand of man; at the hand of every man's brother will I require the life of man. Whoso sheddeth man's blood, by man shall his blood be shed: for in the image of God made the man" (Genesis 9:5-6).

Why did God institute capital punishment? Why would a loving God who is supposed to love all of mankind issue these edicts? To answer this question, we must understand the overall purpose of God. God knew when He created man with a free will that not all people would follow and obey Him. However, He also knew that many would want to love and serve Him. In giving man free will, He also had to establish laws for people to live by. When we look at the Ten Commandments listed in Exodus 20:1-17, we can see that these laws were given for the good of mankind. One of these laws is in verse 13: "Thou shalt not kill." We may wonder if God said "do not kill," why He would then decree that a murderer should be put to death. The reason is that the Hebrew meaning of the word translated as "kill" actually means "murder" or "to slay someone in a violent manner unjustly." So, God is actually saying, "Thou shalt not murder."

God knew before creating all things, that man would sin and that He would need to establish laws to curb that sinful nature. Knowing that most people would not allow His reign in their lives, God instituted civil authorities to maintain order and restrain evil in our societies. Through Israel, God provided us with a set of laws that apply to both our spiritual and natural life. They apply to the spiritual by showing man that the wages of his sin are death and to the natural by providing merciful laws restricting his lust for vengeance. God's justice demands life for life; but because Christ gave His life in our place, the murderer's debt to justice is paid. God's mercy grants him forgiveness if he accepts Christ's sacrifice. God's pardon for sin, however, is not the same as man's pardon. Even if a murderer should truly repent and is forgiven by God, his country may still inflict the death penalty upon him as stated in Romans 13:1-5.

Prayer Devotional for the Day

Dear heavenly Father, the sacrifice of Jesus shedding His blood on the cross so that mankind could be saved is beyond our understanding. It is awesome to think that even a murderer, who comes to You and repents of his sins, can find forgiveness and be made whole. Thank You for forgiving us and fill our hearts with love and forgiveness towards those that have hurt and abused us. May we extend mercy towards others, so that when we need mercy, we will have some in our storehouse. I ask this in the name of our merciful Lord, Jesus Christ. Amen.

11/19/2024 7:00:01 PM Jacksonville, Florida USA From: Steven P. Miller, @ParkermillerQ,   gatekeeperwatchman.org  TM, Founder and Administrator of Gatekeeper-Watchman International Groups. #GWIG, #GWIN, #GWINGO. www.facebook.com/gatekeeperwatchnan www.facebook.com/ Instagram: steven_parker_miller_1956

[rubykgrant]

Imagine RvB characters with superpowers. But just one each, like in RWBY or My Hero Academia. Could totally see Sarge being an unstoppable force, or Tucker being the center of attention, or Caboose being able to make things not work properly. Church splitting off parts of his psyche as clones. Maine having permanent copies of powers. Wash making a memory fog. Kimball having a speed buff for herself & others. Jax making videos of his memory. Just so many possibilities!

There are a handful of RVB Super Power AUs out there that are all very interesting (the two I'm more familiar with are the "Villain AU" by @smilysstuff , and "We Didn't Even Kiss Until Issue 26" by @cinaed . I've also seen some cool Spider-Man/Spider-Verse concepts from @leonardalphachurch and @donut-entendre ~)

You've got some cool super power ideas for them too! The characters are all so weird, it is easy to take the various talents or certain personality traits and turn them into super abilities, either ones that fit easily with them, or perhaps ones that seem like the "opposite" of what is typical.

If I was going to put them into a Super Hero setting, but maybe try to make it a little different from some of the others I've seen... I might put them in a Batman scenario! Except it doesn't totally follow the same formula... because NONE of these dudes are a billionaire playboy who is also a scientist and expert martial artist. So instead...

"Blood Gulch" is actually the name for a small area of the city (basically, Crime Alley), and through some random (or perhaps connected) events, a lot of people have had an unpleasant experience there... Church woke up with no memory besides his name and a few vague bits of info of his life. Tucker was attacked, and his child was kid-napped. Caboose lost his penny (everybody thinks this is stupid, but you don't understand; it was the GIANT penny!). Donut got nailed with a grenade. Grif got ran-over by a tank (followed by Simmons agreeing to give up some organs to try and save his life at a hospital, but when doctors insisted Grif wouldn't survive the surgery, Simmons followed a very shady tip that somebody from that area could help them both... and so Simmons got a back-alley operation, then woke up a Cyborg. Grif is OK). Sarge got shot in the head. Tex "died" for the first time, and discovered she doesn't STAY dead. A strange villainous voice seems to "haunt" the area, but is only ever heard when Doc is around. Nothing bad happened to Kai, but she got busted for throwing a rave in an old warehouse there once.

Not all of this happened on the same day or anything, but it sure is a COINCIDENCE that all these people hurt somehow in this general area, isn't it!? Anyway, Church meets Tucker after Junior got kidnapped, and despite seeming so unfriendly, he's the only guy that listens to Tucker's weird story (because the group that took Junior didn't seem... human). The cops won't help, and Tucker doesn't want to leave the city unless he has a lead, so... Church takes him to where he's been crashing.

Which turns out to be a HUGE mansion, that has sat abandoned for years. Church may be a hobo, but he's a hobo with standards (also, he seems to know all the combinations for the locks. wonder why). Eventually, they run into Caboose out on the streets, sobbing over his penny. He follows them around all night, and Church finally agrees to let him com back to their mansion. Once inside, Caboose's clumsiness and nonsensical luck allows them to discover SECRET PASSAGEWAYS! There is a whole underground lair below the mansion! With some very interesting (and suspicious) technology. Oh, and it seems to be OCCUPIED as well?

So, while all that was going on, Sarge has been running around Blood Gulch at night, being a weird vigilante about it (he still has his own shotgun, but after it got damaged, the thing doesn't actually fire anymore. instead, he carries it around for the AESTHETIC, and a lot of people in the city start rumors about a guy who has a gun he doesn't shoot for some "metaphorical" reasons, but it really isn't that deep; it broke, he doesn't want to throw it away, he can't afford to get it fixed, and he's too stubborn to just get a new one. on the plus side, various bad guys have gotten the idea that if they don't use guns, the vigilante won't shoot them, so everybody has gotten less lethal in general). Sarge also collects weirdos who have gone through their own odd incidents...

He likes the idea of having a cyborg on his team, and Grif seems to be good at... not dying? That comes in handy. Donut just kinda invited himself and stuck around. Sarge finds an abandoned robot one night, so now they have a robot! His speech functions are stuck on Spanish, but Lopez is very capable at just about any task (he will still complain the whole time). Sarge decides to call their group... The Red Hood Gang! He still wears the red hoodie he had on when he got shot when doing vigilante stuff (plus a mask, and other gear). They move into what they THOUGHT was an old cave system outside the city... and find it has LOTS of interesting tech inside!

When Church's group finds out the Reds are basically living in their basement and hoarding all the cool junk, and the Reds realize these guys have an upstairs with actual bathrooms and a kitchen, they proceed to have a whole war over who gets to keep everything. As they fight and claim certain things for themselves, one of the big computers comes online... and a strange, high-pitched voice who introduces himself as Vic starts giving them info and "advice" on how to find the people that have caused their problems. Begrudgingly, the two groups decide to work together (Church's team calls themselves Blue Birds, since the gear they get is blue, and themed after birds; also, they get a cool vehicle! Sheila is their Batmobile~).

So, now the Reds and Blues are all doing vigilante stuff. They still bicker with each other, but no longer enemies. Other people in the city do not know how to deal with these chaotic weirdos. They eventually meet up with Tex, and Grif's sister figures out what her brother is up to. Doc has a brief time being "kid-napped" by the :evil voice" as O'Malley tries to be a full-on villain like the Joker, but eventually he settles down, accepts that he's really part of Doc, and they other accept Doc is part of their group too. Tucker even gets Junior back, and Caboose finds his GIANT PENNY! Things seem to being well... but THEN-

A corrupt police force doesn't like all these vigilantes exposing their own criminal activity, and hire outside help of a special agent; Washington. He initially tries to very seriously solve some of the problems in the city, and when he gets framed for even BIGGER problems, he just has his own villain-moment, taking it out on the Reds and Blues... but they win him over. New vigilante hero! He moves into the mansion with the rest of them, but one night when they return, the place has a new guest; Carolina, who informs them that this is HER FAMILY'S HOME. She's been away, doing all kinds of cool secret martial arts training around the world (that's right, she's the REAL Batman~), and comes back to to find a whole circus moved in while she was gone?

She also explained that the underground caves were where he father once had a whole secret project going on, with people being part of several experiments that claimed to make them "super heroes", but those running the show had ulterior motives (some of them were selling tech to other groups, thus creating lots of criminals with a huge advantage). Wash had been part of this program, but like the Reds, he never knew about the mansion above ground or the connection to Carolina's family. Tex was part of it too, but she kind of forgot some of it. Church... well, it seems that one the plans of Carolina's father was to try and bring her mother back to life, and one attempt involved a sample from a supernatural pool of energy, which he tested on himself first. The result was Church (this is a bit like all the R'as al Ghul/Jason Todd stuff).

More Batman-tastic shenanigans ensue... meanwhile, over in Metropolis, all the Chorus problems are happening! Instead of a surviving child of Krypton coming to Earth, a ship containing the collective history and technology landed on the planet. In secret, a group has been slowly using the advanced tech for personal gain, and some people are also stealing it for themselves. Two sides of a "war" break out, each being manipulated into fighting because once they're all gone, nothing will stop a certain rich business man from taking everything for himself (Hargrove is basically Lex Luthor. Felix and Locus use lots of Krypton tech, and also have access to the temporary Super Serum that gives them small doses of powers).

Sorry, that was a LOT for a basic "Batman/Superman" AU haha

[hopeaterart]

Hold on, hold on. I'm starting to have coherent thoughts abt Teen Shredder 'verse

Mutants/yokais and humans cohabit on the surface for reasons I haven't figured out yet. However, mutants tend to be discriminated against.

Yoshi wasn't mutated into a rat! He and Tang Shen are living happily together and run a dojo. Splinter is Yoshi's normal pet rat.

The turtles are their adopted kids. :} They're all actual brothers, and Yoshi adopted them following the death of their biological parents, who he was friends with. (As a result, they're all the same turtle species too, I just need to pick)

Leo and Mikey are twins and the eldest, with Mikey being older by a few minutes. Raph is the middle child, and Donnie's the youngest. Yoshi and Shen send them to an elite school, which is what most of the plot is about.

The story is much more low-stakes than FHC, mostly abt the Turtles trying to survive high school

Mikey is a chill dude who's seemingly not concerned with anything, although he's got multiple skill and will step in if his brothers need his help. He's already got other mutant friends outside of school.

Leo's the one with anger issues here. He hates being looked down upon for being a mutant, which causes him no amount of grief at school. It's probably why he ends up gravitating toward Shredder, a delinquent that the entire student body fears. (Also they're both trans, but Leo hasn't realized that yet)

Raph is hypercompetitive and really active, so he joins a bajillion afterschool sport team and ends up befriending (and eventually dating) Casey, who's on those same sports team.

Donnie is a shy and smart kid who quickly turns into a teacher's pet and befriends fellow nerd April.

Karai is Shredder's mom and involved in organized crime. She's trying to hide it from him so he can have a better life, but his delinquency proves to be a problem.

I don't know what Renet is doing, but I do know she's the time god equivalent some kind of constantly exhausted intern. She'd mostly appear for threats like alien invasions.

Habiki, Zia, Higa and Naomi are all here too. (My ocs...) Habiki is Yoshi's well-meaning but overbearing mother who occasionally visits, Zia is the turtle's little sister and a human, Higa is a young bird mutant from another school with a crush on Saki, and Naomi is one of the instructors at Yoshi's dojo.

[skeith-platinumprincess]

Today I would like to go over the history of an alternate universe Spider-Man who was created solely to be a gag character but in recent years has been getting actual serious attention. I am of course referring to:

Patrick O'Hara, the Web-Slinger.

The Web-Slinger first debuted in the very original Spider-Verse event but don't go into this expecting to read much of him. Unlike other popular Spider characters like Spider-Gwen and Peni Parker he didn't get his own issue to tell you his origin or anything like that. No, he was instead part of the book's gag team.

Throughout the original Spider-Verse event we would occasionally get to check in on Miles Morales and Drake Bell Ultimate Spider-Man recruiting the goofier spider-people across the multiverse. We even got a full issue of them recruiting the 1967 cartoon Spider-Man! At one point in this requirement spree we check in on them and see that at some point they recruited a cowboy Spider-Man

That's basically it for Web-Slinger's role in the original Spider-Verse. No name, no actual lines other than Yehaaaw, and after this point he's just in a few background panels.

Someone at Marvel must have really liked this idea though as he made more appearances in later Spider-Verse events. Such as in Spider-Geddon where he gets to be alongside Superior Spider-Man, Spiders-Man, and Spider-Punk as a team of Spider-Men who are willing to kill people

Spider-Geddon also gave us Vault of Spiders, a collection of short stories set in the universes of various Spider-People. Here we got a 7 page story showcasing Web-Slinger in his own world fighting against his version of Morbius. This little story also gave confirmation that yes, he shoots webs from his guns. They are literal web shooters

Next up we have what it easily Web-Slinger's biggest apperance: the 2019 Spider-verse event. In this comic Miles Morales has to jump from universe to universe helping various spider-people fight crime. It's a fun little book even if it doesn't serve much purpose. I'd love if they brought the concept back for some sort of Spider-Verse Team Up.

Anyway, the fourth issue of this book has Miles travel to Web-Slinger's universe, now officially numbered as Earth-31913, to help him save a Mexican village being raided by El Escorpion.

Basically everything we know about Web-Slinger comes from this issue since it's the only time he has really gotten to shine. So here are a few details we learn about him here.

His version of Uncle Ben was not his uncle, but rather a war buddy of his. I cannot tell if it was the Civil War or the American-Mexican war though

Yes, his horse, named Widow, WAS bit by a radioactive spider, the same spider bit both of them which gives them a telepathic link to each other. They call it the Rider Sense

His name is Patrick O'Hara, in previous appearances he used the name Parker, but that was in fact a fake name. He only tells Miles this because he trusts him

That wasn't the last we saw of Webslinger though, we actually got to see him and his earth again earlier this year in Extreme Venomverse. Usually the Venomverse stories will either take place in a earth that is only slightly different from Earth-616 or they'll be in their own world with no connection to anything. As far as I can tell the only times a Venomverse story have set themselves in the universe of an already established alternate Spider-Man were Venom Noir from this month and last month with Extreme Venomverse #3

After passing out from wounds in the desert, Web-Slinger finds himself nursed back to health by a woman named Madame Brock. To repay the favor he helps Ms. Brock fight off a pack of goons who are threatening to burn down her place of business.

And that is the Web-Slinger's most recent appearance in the medium of comics. However he has seemingly gotten popular enough to start appearing in other mediums. He got to team up with Drake Bell Ultimate Spider-Man once again when that cartoon did a Spider-Verse storyline AND he got to appear briefly in Across the Spider-Verse, Miles even steals Widow from him here!

[chikaras-garden]

Have you perhaps bounced around the idea of a Catwoman protégé with one of the boys? Playing cat and (winged) mouse with them? Chasing each other around Gotham? The sexual tension?

This is an idea that pops into my brain every once in a while, but I haven’t written anything because I can never decide between Dick or Jason.

Some random thoughts:

Her mocking nickname for him slowly becomes affectionate (“Birdy?”)

She gets caught on purpose because she likes to escape from him :)

Her dad is Falcone or Black Mask or Penguin and yes I ripped this idea off of The Batman; sue me

She is so extremely hellbent on revenge against her dad AND traps a reluctant (Dick? Jason?) into helping her

HIS FEELINGS ARE SO COMPLICATED like of course he wants justice for the poor little girl who never received love but :( she keeps doing crime :( and she’s infuriating :(

Selina and Bruce are exes in this verse

Crying

Heists

Daddy issues on BOTH sides

He calls her kitten exactly one time and she short-circuits

Her mom is dead

Her dad definitely killed her mom

Selina tries to be a good mom/sister figure! Seriously! She’s just bad at it!

Are you all familiar with the scene between Ellie and David at the hunting lodge in The Last of Us?

[ateez-himari]

Hii!!! How are you doing?? i recently found your blog and I'm obsessed with your writing and also with hima💗

And I was wondering did hima and mingi ever had an intense argument when they began dating, cause couples tend to fight all the time yk?? And if so how did they solve it? Thank youuu💕💕

Hii I'm doing good and thank you so much!! 💕 At first because of the huge fight pre-hiatus it was mostly lovey dovey, making up for what happened back then but the middle of their relationship definitely saw some fights.

Most of it dealt with the closeness Himari has to other male artists in the industry (one of them being Mingyu - if you want to look at the relationship post wink wink) because as we know he tends to get quite jealous. Lots of them would start off with him being closed off after an event until she asked him about it, and after some relatively heated back and forth about it, Himari would assure him that at the end of the day despite the differences they had had, despite the risks to their career, despite everything, she had chosen him. Living apart from each other - in the 3 person dorms - definitely helped with that as well since they were more used to being apart from each other (especially after 5 years constantly together).

We can probably guess that there are some issues with fanservice in any couple in the industry and with Mingi gaining much more confident off-stage he's gotten a lot more flirtatious with Atiny (bbyongming is sleeping outside atm, paying for his dad's crimes). It's not that Hima has gotten less confident (on the contrary) but since she's online more now that the hate has died down a lot, she's seen what people are saying about him and it makes her uncomfortable/jealous. She managed to hold it in for the most part until the fansmeet in Japan - and it's not necessarily that he did anything wrong, it was actually cute how he gave Atiny that rose - but it was kind of the breaking point.

When they went back to the hotel that night, she wouldn't talk to him in fear of blowing up in his face but the second he speculated that she was uncomfortable with some of the fanservice, the dam broke. There were definitely a lot of things said that night that both regret, and tensions that day were relatively high still so she spent the day hanging around the older members, not interacting with him unless she absolutely HAD to. It was after singing one of their back to back verses that they realized they needed to sort this out so they went on a walk and talked things over, setting new boundaries, explaining exactly why they were uncomfortable, and both eventually ended up laughing at how absolutely ridiculous this is. At the end of the day they chose one another (and if one cheated, the other members would probably jump them)...but know that even despite this knowledge they'll probably keep passing that jealousy around like a ping pong ball

Also thank you for this question, I actually had so much fun coming up with an answer!! 💕💕

[theuntamedangel]

The longer BNHA goes on, the more I start to ask this question.

Is this a story worth telling?

It brought up some interesting things to think about like what it really means to be a hero and if villains really are evil or people that society failed.

But then comes the muddled messages, characters that barely do anything significant other than to be plot devices, the overhyping of one character that ruins the purpose and development of the main character, and the inconsistencies and conclusions that characters come to that makes little to no sense.

Then you just have a story that just goes NOWHERE!

Because let's be honest, how much will society actually change by the end of it all? How will it treat quirkless and those with less than stellar quirks? And will they actually allow people like Bakugou to become heroes all because they "try really hard"?

Hi there, @theloganator101 First off, thank you for the question.

Also, TLDR.

Long before, I had made a somewhat similar post, talking about the same points. What makes a hero a hero? Because it's more than wearing a cape and punching issues and problems into submission. Bad guys simply go to jail and rot till their dying breath. And why is the world of BNHA so black and white? So 'this is good and this is bad'? We have a very compartmentalized version of human society. But you and I both know very well that human nature, human social interactions are the most complex and difficult things to understand. And even though I had seen these flaws in the series much earlier, I was still forgiving of the author because I genuinely thought he would eventually come around and explain why things are they way in the BNHA verse. But that NEVER happened at any point in the series so forget about Hori addressing these issues now because BNHA as a whole doesn't matter.

It's a no brainer to say that the job of a 'hero' is to save the day. But what about those who are the victims of school bullying? (cough cough BkDk is a totally normal and a healthy relationship, you're just a homophobe if you dont ship them) or those who had to keep their voice and entire existence heavily suppressed because your marriage was just a means to an end? (Endeavour is a loving husband, a doting father and a hard working hero) What about those kids who are victims of child abuse, child neglect and discrimination? (the Todoroki kids, Shigaraki, Toga and heck, even low key Spinner grew up in loving and healthy households). The Creature Rejection Clan was created to combat racism and All Might, someone who's name itself reduced crime in Japan by a half simply by existing, did NOTHING against the CRC. I thought 'heroes' were meant to protect the weak and deliver justice to the evil doers irrespective of who or what they are. I thought that's what's really meant to be a hero, to be defenders of mankind. Because lets face it, what's the difference between a villain who kills and a hero who abuses his family members on a physical, mental and an emotional level? What are the required criteria to judge these very two damnable actions with a bias attitude?

Which brings me to another question: Why are the students at UA high only taught martial or physical training? Don't they have special classes where they have to moral education classes or something along those line? Besides the rigorous physical training they need to fight against heroes, they have normal, regular-degular academic curriculum. These so called heroes-in-training are well educated in the art of understanding the topography of a battle field but the system has FAILED to educate the kids to understand why villains are the way they are. The entire system, the root itself, the very foundation of the hero society, FAILED to protect what they claimed to be. People like Toga, Dabi, Overhaul, Spinner, Shigaraki, Twice, Stain, Magne, are all nothing but the products of the hero society, the actual end result of this superficial, celebrity-like lifestyle of hero worship. But many fail to see beyond the stars and shimmers of this artificially constructed world.

The above points are heavily tied to Stain's ideologies. He didn't put up arms and struggles against the hero society for nothing. He knew what he was doing.

This may not be the answer that you're looking for but the way I see it, the MHA story shows us a horrifying representation of our already dark and twisted world but that's where it stops. It wants to do nothing with it because the story doesn't know where to go with it and how to go about doing it. It started something it couldn't finish. It created issues it couldn't solve. So the plot choose a different path to tread upon: focus on the popular people from the hero society who are highly questionable and romanticize their words and actions. It doesn't matter if you faced quirk discrimination or worse, became a butt of ridicule for not having any quirk at all. So long as a bully has given a half baked ''apology'' and works hard to be a hero to satisfy their own ego, it's all good at the end of the day. Self worth issues, self inflicted bodily harm, lack of self worth received by the victim (definitely NOT Izu because Bk treats him with utmost respect and comradery), all melt away due to the power of 'apology' and friendship. It teaches us that celebrity worship, fake sense of heroism, the desire to be the top at the expanse of others are to be treated with normalcy because the show must go on no matter what. The other message is that it's ok be a wife beater and a bully so long as you're doing it for heroism, name, fame, recognition.

Our priorities in the MHA universe are all messed up. We don't even have an inkling of a thought about how Izu feels about quirkless discrimination and the manga is wrapping itself up. So all the answers we can provide ourselves with regarding the matter will be head canon.That's why the main message of the story is that it fails on so many levels in terms of writing a morally upright story. The main hero of our story is nothing to offer, no words of hope and encouragement. That's the other message it has conveyed to us. I'm not saying this, the manga has proven to us time and again what i just said. The other thing it hammers home is the fact that, so long as you're a hero, your unjust behavior will be swept under the rug by your school and higher authorities. The message that MHA time and again conveys is that it loves hypocrisy and double standards. These are the solid reasons as to why the plot cannot logically and cohesively march forward.

"With great power comes with great responsibility" and the MHA verse failed to understand this concept by becoming the very thing the villains are condemned for in this series. That, my friend, is the general message of the story. That, my friend, is the moral lesson of the MHA verse.

#MHA critical thinking #bk is a bully #Izu deserved better #Izu is the protagonist not Bk #Izu matters Bk doesnt #Hori cant write shit

[racefortheironthrone]

I’m not too well versed in the comics history, Has there been clear progress made for mutant rights and acceptance in the marvel universe? Like , between the big events and Orchises of the marvel (and real world) setting things back, is there a big difference with how mutants are treated de facto and dejure across the decades since the 60s? Any particular mutant rights milestones?

Great question!

People's History of the Marvel Universe, Week 22: Anti-Mutant Prejudice and Mutant Rights In the Longue Durée

This is a difficult question to answer, because Chris Claremont was very much of the "torture your darlings" school of comics writing, believing that the way to wring endless drama out of your characters was to keep piling tragedy on tragedy on top of them before finally giving them a moment of catharsis. This was especially true for how he handled the mutant metaphor from as far back as X-Men #99, where even when the X-Men saved the day, it would only seem to further fan the flames of anti-mutant prejudice.

That being said, Claremont didn't present an unchanging portrait of anti-mutant prejudice constantly getting worse and worse - after all, the very beating heart of dramatic structure is variation, without which even the most grimdark tragedy becomes numbing and monotonous. So there are definitely key moments in the Claremont run where the X-Men are able to score a victory for mutantkind.

Perhaps the first and most famous instance of the mutants notching a win comes in the climax of God Loves, Man Kills - Claremont's first great Statement Comic about bigotry. After having foiled the Reverend Stryker's plans to exterminate mutantkind by kidnapping Charles Xavier and using a Cerebro-like device to project lethal strokes into mutant brains across the world, the X-Men confront Stryker on live T.V - again, part of Chris Claremont's endless fascination with the power of media to shape our minds that would recur in Fall of the Mutants - fighting him on the level of ideology and rhetoric. Kitty Pryde is able to bait Stryker into attempted murder in front of the television cameras, ending his crusade of hate:

(I'll do a full in-depth analysis of God Loves, Man Kills and how it both codifies and reveals Chris Claremont's approach to the mutant metaphor in a future issue of PHOMU.)

The next big moment of victory I've already written about in PHOMU Week 20, was Fall of the Mutants. In this storyline, the X-Men face off against Freedom Force and the Registration Act and ultimately sacrifice their lives to save the world in Dallas - once again, using the power of rhetoric and media to strike back against discrimination and oppression.

After that, Claremont's next (and arguably last) big victory for mutant rights came in the "Genoshan Saga." (I'll also be doing an in-depth analysis of Genosha in a future issue of PHOMU.) Beginning in UXM #235 and winding its way through Inferno and the X-Tinction Agenda, the fictional nation of Genosha was Chris Claremont's big Statement about apartheid South Africa. An island nation off the east coast of Africa, Genosha seems to be a utopia free of poverty, crime, and disease - but its entire society rests on a foundation of mutant slavery, where mutants are press-ganged, mind-controlled, and genetically-manipulated to serve the human ruling class.

After a series of clashes between the X-Men and the Genoshan Magistrates, the X-Men defeat Genosha's anti-mutant military and their cyborg ally Cameron Hodge. But whereas most superhero comics end with the heroes foiling the evil plan of the supervillain and restoring the status quo, this time Chris Claremont and Louise Simonson went a step beyond the norm and had the X-Men carry out a political revolution that brings lasting structural change - toppling the Genoshan government and abolishing apartheid.

Under the pen of later writers like Joe Pruett, Fabien Nicieza, and (most enduringly) Grant Morrison, the island of Genosha would be refashioned as a mutant homeland, a prosperous and advanced nation of sixteen million mutants ruled by Magneto. (Yet again, a topic for another issue of PHOMU.) Arguably ever since then, the story of the X-Men has been the story of the struggle to restore mutantkind to the position it was in before Cassandra Nova ended the first mutant nation-state, culminating in HOXPOX and the foundation of Krakoa. (A topic we'll be covering next year when FOTHOX/ROTPOX writes the final chapter in the Krakoan Era.)

[experthiese]

my first one is messy and honestly not the way I'd want it, so here's my shot at a public vs. private information post, version two.

"but pluto, where does my muse fall on this?"

I don't know! I don't write your muse! realistically speaking, even lupin's canon can't even seem to keep itself consistent with what's known and who by, so I'm not really all that fussed about how you choose to interpret this list. go with whatever feels right, and I'll play along accordingly.

so, let's get started!

PUBLIC.

He is the grandson of Arsène Lupin, phantom burglar of France.

He is the son of Lupin II, attempted founder of the Lupin Empire.

Like his predecessors, Lupin III is a master thief who targets valuable items from all across the world. He's a household name, and even has official merchandise (including the infamous plushie claw machines).

He's affiliated with what's informally known as the Lupin Gang: his 'inner circle' of friends. The current active members are Jigen Daisuke, Goemon Ishikawa XIII, and thieftress Fujiko Mine. She's more of an independent force, and is just as likely to betray Lupin and co. as she is to aid them. More members may be present, as dependent on verse and muse connections.

His eternal rival is Inspector Koichi Zenigata of the ICPO. Zenigata is the only person able to consistently get close to Lupin, and has managed to capture and detain him over one hundred times. The issue, of course, is that Lupin has been able to break out over a hundred times.

He's polyamorous and can often be found surrounded by short-term lovers whenever he's out spending his heist gains. He makes no attempt to hide this or deceive anyone: he's poly, not a cheater.

He's a polyglot, able to speak as fluently as a native regardless of where in the world he travels. Despite French and Japanese being his mother languages, he has no noticeable accent when speaking outside of them. Lupin also knows a select handful of dead and computer languages.

He's a master of disguise, able to forge documents as the need arrives and change his entire appearance at will. He can fake scars, injuries, identifying marks such as birthmarks or tattoos, and adopt the face, voice and mannerisms of anyone he pleases. His masks do have tells, however: such as not showing sweat after a period of exercise, while real skin would.

His chosen weapon is a Walther P-38, kept holstered against his chest.

There's a tongue-in-cheek saying that, for a Lupin, walls and gates and security systems simply do not exist. Many believe them able to get anywhere and everywhere, regardless of any preventative measures attempted. While this isn't entirely true, it is exceedingly difficult to keep Lupin out of somewhere, with even supposedly 'top security' buildings having been compromised more times than I care to count.

He was married to Rebecca Rossellini, Italian heiress, model, actress, and general celebrity.

He was the star of the Lupin Game online phenomenon, where he was tracked day and night by drone cameras, whose footage was live-streamed across the internet. People were encouraged to take photographs or video clips if they saw him.

SEMI-PUBLIC.

His calling cards lay out the rules of his heist. He will appear on the date and time listed, and he will leave empty-handed if he's unable to complete his theft before the end time listed on the card. The heist's no fun if there's no game involved.

Lupin doesn't kill unprovoked. That's one of the rules of his game. Taking another's life only becomes an option once they cross the line and endanger the lives of himself or his friends. Under all other circumstances, he'll always shoot to disarm first.

Not only does Lupin have copycat thieves aiming to impersonate his crimes, but this no-killing rule is one of the biggest copycat downfalls, often being the thing that gets them discovered. Thief he may be, but Lupin has a strict code of ethics that both he and Zenigata are very well acquainted with.

He has an IQ of 300, and can temporarily raise it to 301. He's incredibly intelligent, far more than he's often given credit for, but prefers to hide it behind a silly and easily underestimated persona.

His marriage to Rebecca wasn't his first, nor his last. However, the only real 'love match' was his attempt to settle down with Fujiko, while ultimately failed and lead to a separation. All other marriages are used as a means to an end, a way to get himself closer to whatever treasure he's aiming to steal.

He was the star of dark web phenomenon Happy Death Day, where people would bet on the date Lupin would die. This inevitably ended up attracting prominent assassins who would compete to kill Lupin on their predicted date, and after a particularly large confrontation, most of these competing players have been declared dead.

He's AMAB, just androgynous enough that many databases find it difficult to make a definitive decision one way or the other. As a result, this field is often left marked inconclusive.

He's bisexual, and appreciates pretty faces of all genders. His love for womanising and vocal adoration for his beloved Fujicakes just tend to overshadow the times he pursues everyone else.

SEMI-PRIVATE.

He stayed in France for the early years of his childhood and was raised within his grandfather's sprawling Paris estate. Arsène taught him the ways of Lupin family thievery from the moment he could stand, and he had already mastered several of its skills by the time he was able to write.

He attended the later years of elementary and early years of Junior high school in Tokyo, Japan. However, he left the system before graduating.

He targeted dark web drugs trafficking and money laundering giant Marco Polo in an online heist, draining their crypto wallet and making off with millions in BitMoney currency. He was also involved in the arrest of its three executives: Chuck Glay (Peekaboo), Kunal Robinson (Chap Tip) and Sonia Boutella (MooMoo).

He can pilot any vehicle, be it for land, sea or sky. It's safe to assume that he owns at least one mode of transport for each, and tends to favour cars, submarines and planes respectively.

He's been declared dead many times. One time 'Lupin' was even publicly hanged, though this was later revealed to be a clone. Lupin himself had no hand in the clone's creation.

He has chapodiphobia: a fear of octopi. This fear extends out to squid, cuttlefish and anything else under the cephalopod umbrella.

He's... somewhere under the nonbinary label. Most likely genderfluid, though he lacks the vocabulary to express this (nor does he have much desire to explore / pin himself down to any particular label).

His marriage with Fujiko ended poorly, and left a rift between them for some time. While she was the one to actually leave, a lot of their inner conflict was a result of Lupin and his discomfort at being truly transparent, even to her.

PRIVATE.

He has connections to the Grand Duchy of Cagliostro thanks to his efforts to save its ruler, Clarisse, from an unwanted marriage.

He's incapable of dreaming, lacking the subconscious needed to activate REM sleep. This void was once said to be the consciousness of an idiot or a god, though it's impossible to tell what one Lupin is.

The only marriage still standing is the one with Onabes, an art collector. He's the husband of Lupin's Miss Marie persona, making him Onabes' wife in the eyes of the law. Lupin has requested divorce several times, but Onabes is yet to sign the necessary papers.

He's got an occasional telepathic ability, though this link has only been shown between him and Fujiko, and it only seems to activate in times of life-or-death danger. Lupin's aware of this ability, and once called it the miracle of love.

He has safehouses in every conceivable corner of the globe. Some are luxurious mansions with grand estates attached. Others are rickety wooden shacks held together by hopes and dreams and prayers, with no running water and a single flickering lightbulb. All of them are owned under false names.

All gadgets are handmade, as are any smoke bombs or chemicals he uses. Lupin's a capable scientist when he wants to be, an often occupies himself by engineering new little toys to try out.

[aesolerin]

song that reminds me of DD1/2 cast. for some it'd be sarcastic or bitter, for others (read: baldwin) it'd be sincere in how gentle it is.

But, particularly, the last verse, the "I might've been a good man" one - that verse makes me imagine all the shit DD1 Dismas went through in the name of redemption (up to potentially the final battle and maybe even being a sacrifice to Come Unto Your Maker), and how in the end, after all of that, DD2 Dismas is the only one who has a vague recollection of any of it. (not that it turned out we were doing any sort of good in the end, but you get my jist)

now (only slightly related to the above): we both know who our faves are, but I'd love to know all your thoughts/headcanons on our fave Mr. Highwayman yourself, since it seems like you might have some! DD1 or DD2, your choice (if that has an impact).

....but also, if you do have any thoughts on how his dynamics would be with either or both Sarmenti/Baldwin, I would of course not be averse to that either. >>;

the link didn't stick, but we thank lyrics.com bcs i was able to reverse search that one line and you confirmed it was this song:

oh my goodness it has such a sweet bitterness that can perfectly embody what it means to be send unto the breach over and over until you and everyone else around you is dead. lives they could have led, the stories they can tell, the good and bad moments they share. in the Tavern, at camp during an expedition, i can clearly see any and every hero singing along with any and every emotion.

it definitely hits Dismas the hardest. if the well-traveled Sarmenti didn't bring the song to the Hamlet, he's the next likeliest candidate to me. perhaps he's in the Living City of DD2, quietly it singing to himself because nobody else knows it...

i do love Dismas! i especially love the works that contrast him and Reynauld, the penitent thief and the thieving repentant. the Crusader is a good guy, but i don't think he's a nice guy all the time, and in DnD terms i see the Highwayman as the 'face' between them. silver-tongued rogue, ya know?

other miscellaneous Dismas headcanons:

-jokey and witty and such, but still puts up a bit of a wall. old instincts as a former brigand, you don't get close to the new recruits. he softens up a bit as the heroes build camaraderie.

-very protective over his food, but i think this is a pretty common headcanon. if he goes out of his way to share a meal with someone, he is willing to die for them.

-a little bit superstitious. lucky coins and red skies at dawn and such.

-we all know this. man loves poetry. has a secret stash of poems and thankfully Reynauld hasn't found it yet. they're getting really good!

-could give the Antiquarian a run for her money when it comes to counting money. one glance in a pouch and there's a very good chance he can estimate how many coins there are.

-seems to take the eldritch bullshit in stride, but really there are nights where he just. lays face down on his bed. and internally screams about the fuckery of the Farmstead and/or the DD2!Cultists. he's fine after though.

-did in fact try his hand as a candlemaker. loved the work, but the pay wasn't quite enough.

-kinda low alcohol tolerance, but also so on-edge all the time that he feels like he needs to get buzzed to relax.

-loves rats and other vermin creatures. big reason why it bothers him so much in DD2, reliving the times he had to resort to eating rats. how'd you feel eating your cat or dog to survive?

as for his relationship with Sarmenti and Baldwin in particular...

Sarmenti: even with all the verbal jabs and physical semi-violence (headlocks, shoulder punches, etc), Dismas and Sarmenti are best friends. they 'get' each other. with one non-verbal cue they know when to tone it down for the other. partners in (mostly metaphorical) crime, in good times and bad.

Baldwin: Dismas really looks up to him and sees him as one of the very few genuinely good people in the world. trying so hard not to say 'daddy issues'. (which is very funny because i headcannon that Baldwin is actually the youngest of the DD men. man just has that regal bearing.) they'll occasionally read together, and he's the only one Dismas shares his poems with!

thank you for sharing the song and your thoughts! i hope these were enough thoughts for you! sorry it got so long!